Re: Let\'s Get Real Here
I don't think the workload is that much of an issue. He had planned to write about half of the first season of
Crusade, maybe less, and once the show was established may have written even less in subsequent years (especially if he put together a staff of writers.) As long as he's overseeing all the scripts and making sure the tone stays consistent, I can't see any reason he couldn't executive produce a couple of shows and still maintain both the quality and his health.
Since
Crusade was planned to have a "less rigorous" arc than
B5, he wouldn't find himself in the position he did on S3 through S5, of writing nearly everything because he was first trying to end the show in four years if necessary, then scrambling to go with the planned fifth year but
without a major character whose fifth year arc he had been setting up since season one.
Lots of producers have had multiple shows on at once. Norman Lear had five or six sitcoms all going at one point. Dick Wolf will have three
Law & Order shows on next year. David Kelly and Stephen Bocchco have each juggled several series simultaneously. Absent writing ever script himself, overseeing every detail of the production and battling with the network for the soul of his show, I don't really see doing two shows at once as being a problem.
However, I wouldn't read too much into his "using the same crew for" two projects. The other may be his
Jeremiah series for Showtime, or even
The World on Fire, which he and Chris Carter nearly sold to CBS in 1999. Film and TV crews are professionals who move from job to job and are used to working on all kinds of projects. A cameraman doesn't care if he's working on a SF show or a medical drama -
his job is exactly the same. If anything costumers, maekup people and props guys on an SF show would probably find it
easier to do a non-genre show.
We'll just have to wait and see - as we usually do with JMS.
Regards,
Joe
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Joseph DeMartino
Sigh Corps
Pat Tallman Division